Sunday, February 12, 2006

The Jukebox Flickers to Life


"Birds flyin' high...you know how I feel.
Sun in the sky...you know how I feel.
Breeze driftin' on by...you know how I feel.
It's a new dawn...it's a new day....
It's a new life for me.
And I'm feelin' good."

-None other than Michael Buble

The Jukebox flickers to life, and a new story begins. Moskovad is dead, drowned in the forgetfulness in which he bathed in so frequently. Understandable, really, given his current schedule. Regardless of the fact that his schedule and mine are exactly the same, the Bassercussionist will keep the beat. The rhythm will flow. Slowly, perhaps, but it will flow.

A little explanation. I play the bass. Now I know that the generic assumption for the word "bass" is the hard-rock version of the electric bass guitar; all sound and fury, signifying nothing. For me, this is SO wrong. To me, the real bass is six feet tall, completely made of wood and metal strings, is unable (by default at least) to plug into an amplifier, and requires at least a somewhat physically fit person to fully play. It is (in my most humble opinion) the most beautiful musical instrument, both in sound and shape. Most people mistake it for a cello, and some culturally illiterate people even mistake it for a large violin. But it is a String Bass, or a Double Bass, or a Contrabass. Whatever floats your boat.

I also play the drums. That is where the "ercussionist" part comes in from the root "percussionist." I love it greatly. It's very addicting, really. I can't count how many people's nerves I've gotten on with my incessant drumming. But what can I say? I got the music in me. I got the music in me. Bop bop ooooh. Yeah.
There are three different "ranks," if you will, in the world of percussion. They go as follows:

1. Drummer

The drummer is the easiest rank to achieve. Anyone can be a drummer. Anyone. The drummer has no discipline, creativity, or sense of closure. In simpler terms, the drummer sits at a drumset and plays the same beat over and over again for three hours, thinking that everyone in the immediate vicinity is absolutely entranced by his superior musical talents. When in fact, everyone is annoyed to the verge of murder and are forced to shout Calculus functions as loud as they can, attempting to grasp the lifeline to their sanity. Perhaps I am too harsh. I certainly do not lie, but I may be too harsh. The drummers are the seeds of hopefully fruitful musical trees. They rely on basics to impress those around them. Almost all of the drummers I know at the school I attend have incredible potential. Almost.

2. Malleteer

The first thing that comes to mind at the sound of this word is a man with a very pointy goatee, a mustache that curls up the sides of his face, dressed in a blue and silver tunic, boots, and holding two timpani mallets. I can assure you that a malleteer will rarely, if ever, feel the need to challenge you to a duel. Malleteers are almost the exact opposite of drummers. They are all discipline. Instead of sitting at a drumset and haphazardly and roughly beating out migraine-inducing rock beats that consist of two sequences, they will studiously learn the more refined, more subtle aspects of percussion. The malleteers instruments of choice involve keyboard instruments (i.e. xylophones, marimba, vibraphone, glockenspiel, etc.) and other auxillary instruments. They are likely to play instruments that look like they came from the planet Neptune that make sounds that are confusing, yet intriguing. Malleteers have a tendency to be a bit perfectionistic and a little OCD, but we love them anyway.

3. Percussionist

And finally, we come to the final rank of percussion: the Percussionist. The percussionist is the one that is the right balance of the drummer's potential, eagerness, determination and drive and the malleteer's work ethic, diversity, skill, and discipline. Percussionists, as a rule, are quite a bit more laid back than the other two ranks, having gotten over the need to prove themselves.

So if there is anyone reading this blog that is looking for a "drummer" for their band or something; give it up. It'll be more of a headache than it is worth. Instead, look for a Percussionist to fill your rhythm needs.

6 Comments:

Blogger Tolkien Boy said...

Welcome (again). I don't need a bassist or a percussionist, but I could use someone to come with me to see Divine Comedy sometime.

Or at least to listen to Mike. He's pretty cool.

11:00 PM  
Blogger editorgirl said...

Encore! Encore! (I think I'm stealing TB's response from the previous blog incarnation, but it's such a good one. I steal a lot from him. And I do want to read more of your musical musings. I'll even give you a prompt, a la 115: Who are you listening to? How much do I have to beg to get you to write again? Would a DC CD sweeten the deal?)

11:33 PM  
Blogger Bassercussionist said...

I had no idea that my blogs were material for such a thing as an encore. I'm blushing, to be honest.

7:14 PM  
Blogger Bassercussionist said...

I would never say no to a DC CD, but at the same time, I don't want to be an inconvenience to anyone. You don't have to bribe me with one; simply because of the fact that you show interest is more than enough incentive to write again. Thanks!!

7:17 PM  
Blogger The Herd Mom said...

Hi! Keep the posts coming... didn't know you were such a talented writer! The percussion talent... yeah, I knew. Nice description of drummers, malleteers, percussionists. All too true. I played with a malleteer in a symphony for a couple of years, and he would let no one near "his" timpani and I always suspected he had OCD.

1:36 PM  
Blogger Tolkien Boy said...

Nicely played, this weekend. Nicely played.

Oh, and we need another post, you know. Tell us how the play went.

9:16 AM  

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